Trained in his father’s workshop, Georges-Léon's early work is very hard to distinguish from Joseph Alfred’s. He adapted his model slightly and established a unique interpretation of his father’s model.

This bow is a fantastic example of the later period. It is very well balanced, has a clear and focused sound and is even from frog to tip.

Unsurprisingly, it was previously owned by a concertmaster of one of Germany’s leading orchestras.