Giovanni Maria del Bussetto was active from circa 1670 to circa 1680 in Cremona. His instruments are extremely rare, but those that survive are recognisable by their distinctive f-holes and rather square outline. Although Bussetto’s instruments vary in quality, his best work is comparable to that of many of his great contemporaries and has occasionally led to his work being attributed to other Cremonese makers. The particularly fine varnish of this circa 1680 violin was no doubt a factor in its misattribution to Giuseppe Guarneri filius Andreæ.
17 September 2018 - Dilworth, John
Why Cremona? The classical violin, one of the great cultural symbols of Western civilisation, is an almost entirely Italian phenomenon. In the pages of this book — perhaps the most comprehensive survey published to date of ﬁne concert and collectible... Read more
Tim Ingles and Paul Hayday will offer an initial evaluation of the authenticity and value of your instrument or bow. At this stage, the assessment is free and without obligation. In the first instance, we suggest submitting good-quality images to us, preferably by email to firstname.lastname@example.org or by completing the valuation form.Read more