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Bernhard Simon Fendt I

Bernhard Simon Fendt was the first member of his prolific and influential family to become established in London. He was born in Füssen in southern Germany in 1769 and worked with his uncle François Fent in Paris between 1783 and 1796. In 1798 he moved to London to join the workshop of Thomas Dodd, working with John Frederick Lott (I). In 1809 Dodd moved his premises, and Fendt joined the shop of John Betts in the Royal Exchange. Betts was the most significant figure in the London violin trade at that time and Fendt made many very fine instruments for him, bringing a much more sophisticated approach than had previously existed in England. He fell out with Betts in 1825 and subsequently worked in partnership with Betts’ nephew Charles Vernon. Very little of his work carries his own label, but his violins, violas and cellos, with the labels of the various businessmen he served, are amongst the finest made in London in this period.

Bernhard Simon Fendt I

(b Füssen, 1769; d London, 1826)

Bernhard Simon Fendt was the first member of his prolific and influential family to become established in London. He was born in Füssen in southern Germany in 1769 and worked with his uncle François Fent in Paris between 1783 and 1796. In 1798 he moved to London to join the workshop of Thomas Dodd, working with John Frederick Lott (I). In 1809 Dodd moved his premises, and Fendt joined the shop of John Betts in the Royal Exchange. Betts was the most significant figure in the London violin trade at that time and Fendt made many very fine instruments for... Read more

Instruments for sale in our Private Sales

A cello by Bernhard Simon Fendt I

London, circa 1800

The craftsmanship of this cello reflects the exceptional skill of its maker, who was renowned for producing remarkably faithful copies of the great old Italian masters. From 1798 onwards, he... read more

A cello by Bernhard Simon Fendt I

London, circa 1800

The craftsmanship of this cello reflects the exceptional skill of its maker, who was renowned for producing remarkably faithful copies of the great old Italian masters. From 1798 onwards, he worked in the workshop of Thomas Dodd alongside John Frederick Lott. During this formative period, Fendt developed the rich, warm varnish that became one of his hallmarks, beautifully preserved and generously present on this instrument.

An impressive interpretation of an Amati model, the cello offers a highly responsive and refined playing experience. Its tone is focused and powerful at the core, complemented by a rich palette of overtones that lends the instrument warmth, depth, and remarkable tonal complexity.

Instruments we have sold by this maker

Articles

The Golden Age of English Cello Making – Part II

02 August 2023 - Dilworth, John

In our final article on the subject of English cellos, John Dilworth examines a superbly preserved cello by Bernard Simon Fendt Sr.

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