Giuseppe Giovanni Battista Guarneri worked for his father, Andrea, for almost twenty years, and inherited the ‘Casa Guarneri’ and the family business on Andrea’s death in 1698. Many of Andrea’s late instruments, particularly the cellos, were primarily the work of Giuseppe.
Like his father before him, Giuseppe developed his own individual model, and collaborated with some of the most gifted makers of the day, notably his son Giuseppe ‘del Gesù’ and Carlo Bergonzi. At his best he was a superb craftsman (see the circa 1705 violin) and his mushroom-shaped upper bouts and slanting f-holes make his model one of the most distinctive of the Cremonese makers. Yet, despite his ability as a maker, he was over-shadowed throughout his life by his great Cremonese contemporary, Stradivari, who enjoyed the patronage of many of the courts of Europe, not to mention the help of at least two sons.
The last known instruments bearing Giuseppe’s original label date from around 1720. His two sons Pietro and Giuseppe were active in the workshop from around 1710, and the 1714 violin would appear to show the early hand of del Gesù. Pietro left for Venice in 1717, but Giuseppe stayed behind to inherit the business and to further improve on his father’s model, attaining heights that many believe have never been surpassed.
20 October 2021 - Todes, Ariane
This beautifully proportioned instrument has attracted several notable owners in the last centuries. While not much is known about its early history, we know that it was owned by the French cellist André Hekking (1866–1925). He was born in Bordeaux... Read more
13 July 2021 - Dilworth, John
Giuseppe Guarneri, the son of Andrea, lived a long and productive life, somewhat under the shadow of his predecessors and contemporaries, Nicolo Amati and Antonio Stradivari, throughout a relatively turbulent time in Cremonese luthierie. Giuseppe was born in 1666, just... Read more
07 October 2019
In early 18th century Cremona, the only serious rivals to the Stradivari workshop were the Guarneri family, working practically next door in the Piazza San Domenico. The Stradivaris were the pre-eminent makers of the day and hugely successful –... Read more
Tim Ingles and Paul Hayday will offer an initial evaluation of the authenticity and value of your instrument or bow. At this stage, the assessment is free and without obligation. In the first instance, we suggest submitting good-quality images to us, preferably by email to email@example.com or by completing the valuation form.Read more