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Francesco Stradivari

Giacomo Francesco, known as Francesco Stradivari, was the eldest son of Antonio by his first wife, Francesca. Born in 1671, he is assumed to have worked as his father’s pupil and assistant from an early age, and his own mature hand is detected by experts in instruments dating from around 1707. At this time, work was being done on the design of the new ‘Forma B’ cello model, the first result of which was the ‘Stainlein’ of 1707. Francesco’s handwriting has been speculatively identified on several of the papers and patterns made for this and it may be that he took an important part in developing the design. In Antonio’s will he is the named successor to the house and workshop, and all the tools and materials of the luthier. Most significantly, Antonio additionally states that Francesco ‘has always been, as he presently is, the principal support of the profession of the testator’. He survived his father by only six years, dying unmarried and without known successors in 1743. The property passed to Francesco’s younger brother Paolo, a cloth merchant. The workshop was taken over by Carlo Bergonzi in 1746.

His own labels are very rare. Prior to Antonio’s death neither sons, Francesco nor Omobono are named on labels, although some bear the qualification ‘sotto la disciplina d’Antonio’ (made under the supervision of Antonio). The definitive example of his own labelled and individual work is the 1742 Salabue violin.

Francesco Stradivari

(Cremona, b 1671; d 1743)

Giacomo Francesco, known as Francesco Stradivari, was the eldest son of Antonio by his first wife, Francesca. Born in 1671, he is assumed to have worked as his father’s pupil and assistant from an early age, and his own mature hand is detected by experts in instruments dating from around 1707. At this time, work was being done on the design of the new ‘Forma B’ cello model, the first result of which was the ‘Stainlein’ of 1707. Francesco’s handwriting has been speculatively identified on several of the papers and patterns made for this and it may be that he... Read more

Instruments we have sold by this maker

Articles

Part III: Cremona’s Second Genius

19 April 2021 - Dilworth, John

The Evolution of Violin Making from 16th-20th Century Part III

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