A violin after the Cannon Guarneri by Jean-Baptiste Vuillaume

Paris, 1862

labelled Jean Baptiste Vuillaume à Paris, 3, rue Demours-Ternes, and numbered 2410

Featured in Sotheby’s Exhibition of the work of J.B. Vuilaume, London, 25-30 October 2012

By the early 1860s Vuillaume had been copying the Cannon for 25 years, and gradually his preference for copying Le Messie became apparent. The Guarneri copies become rarer as we move through the 1860s, and this is the penultimate Guarneri model instrument in the exhibition.

C.M. Sin purchased this violin in 1975, at which time Charles Beare wrote to him saying ‘this is one of the great ones and I am glad you have it.’ The striking flame of the back, ribs and scroll, and the contrast between the deep red-orange of the varnish and the golden ground of the antiqued central area of the back certainly make this a visually arresting instrument. C.M. Sin owned the violin for 33 years and finally parted with it in 2008, to Danny Spycher, a Swiss violinist and collector. Spycher was a pupil of Nathan Milstein and grew up in a musical family where Clara Haskil and Artur Grumiaux would visit to play chamber music.

Detail of the back

Other instruments we have sold by this maker

Articles related to this instrument

Tim Ingles remembers Sotheby’s Vuillaume exhibition of 2012

15 June 2020

Introduction In the autumn of 2012, which also turned out to be the autumn of my career at Sotheby’s, I had the privilege of handling some of the finest instruments by J.B. Vuillaume, and staging an exhibition of his work... Read more

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